

We know the left one is normal grid. It has rectangular, square element in its system. But we also know there are several types of another grid system, triangles, rhombuses, hexagons. It means we already recognize about the deformation of the grid.
Many architect have tried to use that methods, grid deformation. and they also have invented a new type of the deformation of the grid.
These two pictures show a different side of the material treatment. In the steel mill, we can see a mass production. This means only a straight line and surface for its efficiency. But, as you can see in the right picture, if we want to use these production in the construction process of the free-form design, we have to modify each part to fit a suitable position. The size of these small triangle elements on the surface are diferent each other and they have to change the size of each element by hand. It is almost hand-craft work in 21 century. And I feel these shows us a some kind of conflict between manufacture and construction.
So, I think I will focus on the grid deformation whose result on the constructive elements. Structure and facade element will be my primary issue. These two factors usually belong to the grid system and they are main element of the building design.
Furthemore, I also think about the possibility of the normal material which we can use in nowadays, concrete, stone, brick, wood, plastics as suitable elements of free-form design expression.
In this condition, there are some unique system which is absolutely different from the normal grid system in its internal character.
Vornoi diagrame has a capacity to create a new order and shape.
So, at first, I will research the method of space construction using Vornoi formular and scripting in the 'generative component' and 'Rhino' programe. Before that, I have to set my object and condition which I will make.
And second, I will research the element which is brought out from the first stage.
I will make a structural experiment and environment experiment.
For example, (References from the essay of Hyun-Cheol Park,2008)
1.The rhombus grid is used in Herzog's Prada Aoyyama Building in japan.
(Photo by Chosun.com)
2.The distortion of the grid system in Rem Koolhaas's Agadir hotel in Morocco
(Photo by El Croquies)
3.The omission and elimination of the grid system in Sejima's Glass pavilion at the Toledo museum of art.
(Image by Archidose)
4.The reiteration of the grid system in Peter eisenmen's the city of culture of Galicia.
(Photo by Arcspace)
5.The emerging grid in Toyo Ito's forum for Music, Dance and Visual culture in Gante.
(Photo by Arquitecturamashistoria)